

He chose the pseudonym Blek le Rat in reference to an Italian comic book Blek le Roc, using rat as an anagram for art. He described the rat as “the only free animal in the city”, and one which “spreads the plague everywhere, just like street art”. To him, the rat symbolized both freedom and the dissemination of art through the city as if it were the plague.

He started stenciling the walls of Paris in 1981 – when street painting had not yet become associated with criminal activity – spray-painting small black rats running along the walls of the fourteenth Arrondissement. When he came back to France with colorful graffiti images in mind, Blek enrolled at Ecole des Beaux-Arts de Paris.

When Blek le Rat visited New York in 1972 this was the very first time he had ever seen graffiti in his life. He is often described as “the father of stencil graffiti.” Silver has shown an even slower increase, on average 1.20% between 20 and an overall decline of 1.42% within the timeframe of 2010-2020.About Blek le Rat (born Xavier Prou in 1952, Paris), recognized as the pioneer of Paris street art, has been painting committed pieces in the streets since the early eighties. A classic case of low-risk low-return investment, the gold market promises a much slower growth than the stunning rate at which Banksy’s rats jumped to ten times their 2008 prices by 2020. Investment returns on gold have picked up between 20 by 8.26%, but looking at the bigger picture, growth between 20 has progressed at a much slower rate, 2.50%, with some fluctuations between 20. The prices of Banksy’s works, on the other hand has shown a steady increase and will progress to do so due to the artist’s regular output and rapidly growing popularity on the art market.

Between 20 it dropped by 6.24% and is continuously fluctuating, influenced by various unpredictable geopolitical factors. Oil might be one of the most conventional modes of investment, however, figures by S&P GSCI between 2010 to 2020 show the average annual return on crude oil dropping by 10.48%.
